![]() ![]() Britain has the SECOND highest rate of cocaine use in the world: One on 40 adults take Class A drug - behind Australia - and is fuelled by binge-drinking culture, analysis shows.'As a mother, she was violent, hateful and cruel': Daughter writes SCATHING obituary for her estranged mother.ALEX BRUMMER: Ignore the gloomsters! Here are 10 reasons to be cheerful.BORIS JOHNSON: What was the late Queen REALLY like? Did Larry the No10 cat and Dilyn get on? Have you seen proof that aliens are out there? Here are the answers to the questions I'm most asked as a former PM.Brazen thieves fill their bags with booze from Tesco in shocking raid - while last-ditch Christmas shopping madness grips Britain with shoppers queuing for hours across the country.Four years after Megxit, the Sussexes say everything is rosy across the pond - but as figures show their Archewell Foundation is low on donations, critics beg to differ.release sometime, because it’s really good. It was an amazing team effort, and you can see the result of that in the quality of the movie. So it was a rollercoaster, but he’s such a perfectionist in that way, and so am I, that I was so glad to have someone who would push me, like, “Let’s do one more take, one more take.” And then the wind would blow, the light would change because of a cloud, they’d have to change the position of the camera while we were in the water and he would be like, “Come on, let’s do it, let’s keep rolling.” Having somebody so dedicated to the craft, willing to get cold, get stung by a jellyfish, all those things, was so great. Instead of staying on the boat, he wanted to feel it with us, feel the cold water, feel the beginning of our hypothermia. Gonzalo was such a trouper he would get in the water with us, in a wetsuit, just to keep us company. All kinds of hell breaks loose, and it’s pretty tragic-and the conditions in which we shot it were also very trying, because we had to film all those days in the ocean, and we had to deal with storms, a jellyfish plague they had to hire scuba divers to chase the jellyfish away while we were in the water. La Piel Azul is about a group of friends who go sailing, and they all jump into the water but forget to put the ladder down-and it’s a big enough sailboat that they can’t get back on board. So, one for Spain-I’m so proud of my peeps! I’m proud to say I worked with him and I hope to do so again, and he’s definitely going in the right direction. ![]() He is going to become, mark my words, a staple in Hollywood, and I am so happy to see him rise to the center stage, because he is brutally talented. Yes! Gonzalo is an amazing artist, who I was so blessed to work with and whom I adore as a director and a friend. It was very tricky to do that, and took a lot of prep work on my side, but I think it really served the movie to make her a compelling, rounded character, and believable in her struggle.Ĭan you talk a bit about working with Gonzalo López-Gallego on La Piel Azul ? That’s how I marked up my script, to make sure that, OK, in this moment she has become this other person, in that moment she is still Lourdes. I had to do that because, as you know, you never shoot a movie chronologically, so I had to know exactly when all her changes were taking place while we were shooting completely out of order. So that’s how I approached Lourdes I created this alternate personality that I had a name for and a set of characteristics that were very different from Lourdes, body language-wise, even voice- and gesture-wise, and I was very clear as to when Lourdes was being Lourdes and when she was this other person. One thing led to another, I got a callback and then I got the part. I really liked the approach they were taking and the way they wanted the story to go, so I had a very good feeling with them in the room. I was very attracted to that, and when I auditioned for them, they had me do some improv in the room. I first auditioned for the director and writer, and the way the story was presented was interesting to me, because it wasn’t like a typical horror movie at all it had a lot of layers and a lot of depth. ![]() Her work in Spain includes 2010’S La Piel Azul ( Blue Skin), a seabound two-part TV movie for director Gonzalo López-Gallego, who went on to helm Apollo 18 and Open Grave. It’s the biggest feature role yet for Milans, who has previously been seen in Steve McQueen’s acclaimed Shame, as a regular on TV’s Killer Women and as a guest on Law & Order: Special Victims Unit she also has a role in this fall’s release The Disappearance of Eleanor Rigby. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |